The friendship and interactivity with artist Gilda Vogt resulted in classes with texts by Diane Arbus and Gerhard Richter, and a deep immersion in the universe of her art culminating in sitting for a portrait, also becoming part of a retrospective exhibition of her work and bilingual book written by curator Gaudêncio Fidelis.
“In Belford Roxo (book cover), we can see a variety of events that configure it as being largely subversive and whose impact on the pictorial field presents considerable conceptual transformation, especially if we designate its highly speculative dimension between human misery and violence or the repressed sexuality of specular voyeurism.”